Hi back everybody! Missed me?
After some weeks on hyatus due to some personal problems, here I am, back to war

And with a hell of an ep of Dollhouse. The amusingly titled “Spy in the House of Love” centers on what occurs when Topher discovers evidence pointing to a mole within the Dollhouse, something we already knew was occurring as Paul was getting his messages from inside. This episode has some fun with chronology, following (our) four main Dolls (Echo, Sierra, Victor and November) through the events of 12 hours, often skipping back in time to pick up with them earlier on, as we follow their diverging paths.

It was surprising and super cool to see Mellie revealing she was a doll to Paul (poor him!) in the sudden, direct way she did, flatly telling him, as she delivered another message from the mole.
We also found out that Adelle DeWitt was secretly using Victor as her own lover, sneaking him away when he was out in his charming British lover persona thought to be for an elderly woman. This was a great twist, exactly the sort of interesting character beat that finally makes DeWitt stand out in some way and gives the talented Olivia Williams much more to do than she has up to this point on the show. The people running the Dollhouse are pretty damn morally bankrupt to be a part of this, but they can’t just be cardboard villains if we’re going to invest in this story and it was such a relief to see the more vulnerable, needy side of DeWitt, expressed within the confines of her continuing to use these people as brainwashed sex slaves.

Sierra’s path as super spy was fun, though in the quest for a cool visual, there was an aspect of the mission that stood out like a sore thumb, which was why in the world did Sierra have on the exact same outfit as the woman she was impersonating at the NSA? A: How would anyone in the Dollhouse know what that woman was wearing that day? B: Really, they can get an exact replica of that outfit that quickly? C: Most importantly, why would Sierra need to wear the same outfit? The woman hadn’t arrived at work yet. No one had seen what she was wearing. It wasn’t necessary!!
I think the show works better as we get away from Echo, and from focusing so much on just her and letting there be more of a true ensemble feel, with time split amongst the Dolls. In this episode, Echo appeared on screen for a relatively short portion of the episode (including an opening bit in a dominatrix outfit, to fulfill the nearly weekly Eliza Dushku fetishized aspect of the show) and, in the time we did see her, it was intriguing that she, in her childlike state, had evolved to the point where she suggested to Topher he imprint her to help with the investigation. What is going on inside of her? Is she directing all this, or is someone using her? Could it be both?

That Dominic was the mole wasn’t exactly a stunner. But instead of it turning out that he was really hiding his noble nature behind a jerk façade (which would be hard, given he tried to, you know, kill Echo), it turned out he was a spy for the NSA attempting to protect the Dollhouse for their own reasons, feeling that without him, the Dollhouse would eventually be exposed and things would be worse. And for being a security chief, Dominic also was revealed as a terrible shot. Echo was just a few feet in front of you, man, and you missed multiple times! It was nice to learn what The Attic (creepy!) is, as we found out he was being completely mindwiped and left as an empty shell of a person, even more so than the dolls.
Maybe Dominic was indeed the same mole feeding Paul information. It leaves a few questions lingering, Dominic, upon discovery, told DeWitt he had helped stop Paul from finding the Dollhouse, which could be true, but now we have to wonder if telling Paul the Dollhouse had a bigger purpose than we’ve seen (repeated by November here) was ever true or just smoke and mirrors to distract Paul…
It feels so good watching the show finally takes the right path, don’t you think?